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by Justine Saracen
Eros, art, and gorgeous blasphemy…
Adrianna Borgia, survivor of the Borgia court, presents Michelangelo with the greatest temptations of his life while struggling herself with soul-threatening desires and heresies. Her growing passion for the painter Raphaela Bramante mirrors the sculptor’s damnable interest in a castrato in the Sistine choir and in the ideas of secular humanism. Claimed as the epitome of Christian inspiration, Michelangelo’s ceiling is revealed as a coup of Eros upon religion, a gorgeous blasphemy and a paean to forbidden love in the very heart of the Church.